The UK’s New Women’s Prize for Nonfiction Issues Its First Longlist


The Women’s Prize Trust in the United Kingdom releases the first 16-title longlist in its new Women’s Prize for Nonfiction.

Image: Woman’s Prize Trust

By Porter Anderson, Editor-in-Chief | @Porter_Anderson

‘A Revelation and a Joy’

As Publishing Perspectives readers know, the United Kingdom’s Women’s Prize Trust, which operates the Women’s Prize for Fiction announced a year ago that it would create a second honor, one for nonfiction by women authors.

This evening in London (February 15), the program has announced a large inaugural slate of longlisted works for the Women’s Prize for Nonfiction: 16 titles published between 1 April 2023 and 31 March 2024.

The longlisted titles come from writers in the United Kingdom, the United States, Canada, India, Jamaica, and the Philippines. Those authors include nine writers’ first publications “for a general, non-academic readership.” In addition, there are five journalists with work represented on the list.

The ultimate winner of this new accolade is to receive a purse of £30,000 (US$37,742) and a copy of The Charlotte, a sculptural figure by Ann Christopher. The Charlotte Aitken Trust is the sponsor making both the cash and the figurine available. Additional sponsorship this year comes from FindMyPast, a genealogy program based in the UK, and what the program describes as “a one-off anonymous donation.”

Books eligible for this year’s prize must be the work of a single author and be published in the United Kingdom between April 1, 2023, and March 31.

Jurors are to produce a six-title shortlist for an announcement on March 27. The winner is to be named on June 13. Among the authors longlisted here, the American MacArthur fellow Tiya Miles at Harvard may be among the most honored in recent years. She  won the 2021 National Book Award in nonfiction for All That She Carried, and won Canada’s 2022 US$75,000 Cundill History Prize for that title, as well. It was also longlisted for the 2023 Baillie Gifford Prize for Nonfiction.

Women’s Prize for Nonfiction, 2024 Longlist
Author Title Publisher Author Nationality
Alice Albinia The Britannias: An Island Quest Penguin Random House / Allen Lane British
Grace Blakeley Vulture Capitalism: Corporate Crimes, Backdoor Bailouts, and the Death of Freedom Bloomsbury Publishing British
Cat Bohannon Eve: How the Female Body Drove 200 Million Years of Human Evolution Penguin Random House / Hutchinson Heinemann American
Marianne Brooker Intervals Fitzcarraldo Editions British
Joya Chatterji Shadows at Noon: The South Asian Twentieth Century Penguin Random House / The Bodley Head Indian
Laura Cumming Thunderclap: A Memoir of Art and Life and Sudden Death Penguin Random House / Chatto & Windus British
Patricia Evangelista Some People Need Killing: A Memoir of Murder in the Philippines Grove Press Filipino
Anna Funder Wifedom: Mrs. Orwell’s Invisible Life Penguin Random House / Viking Australian
Lucy Jones Matrescence: On the Metamorphosis of Pregnancy, Childbirth, and Motherhood Penguin Random House / Allen Lane British
Naomi Klein Doppelganger: A Trip Into the Mirror World Penguin Random House / Allen Lane Canadian
Noreen Masud A Flat Place Penguin Random House / Hamilton Hamish British
Tiya Miles All That She Carried: The Journey of Ashley’s Sack, a Black Family Keepsake Profile Books American
Madhumita Murgia Code-Dependent: Living in the Shadow of AI Pan Macmillan / Picador British
Sarah Ogilvie The Dictionary People: The Unsung Heroes Who Created the Oxford English Dictionary Penguin Random House / Chatto & Windus American and Italian
Leah Redmond Chang Young Queens: The Intertwined Lives of Catherine de’ Medici, Elisabeth de Valois, and Mary, Queen of Scots Bloomsbury Publishing / Bloomsbury Circus American
Safiya Sinclair How To Say Babylon: A Jamaican Memoir HarperCollins / 4th Estate Jamaican
Jurors for the First Nonfiction Prize

The 2024 jury for the Women’s Prize for Nonfiction. From left are Anna Sebba; Nicola Rollock; Suzannah Lipscomb; Kamila Shamsie; and Venetia La Manna. Image: Women’s Prize Trust

The jury for this first year of the Women’s Prize for Nonfiction comprises:

  • Suzannah Lipscomb (jury chair)
  • Venetia La Manna
  • Nicola Rollock
  • Anne Sebba
  • Kamila Shamsie

In a comment on the longlist, the jury chair, Lipscomb, is quoted, saying, “Reading for the Women’s Prize for Nonfiction has been a revelation and a joy. I’m very proud to introduce the sensational books that make up the inaugural longlist.

“Our selection represents the breadth of women’s nonfiction writing: science, history, memoir, technology, literary biography, health, linguistics, investigative journalism, art history, activism, travel-writing and economics. And each author has created a masterpiece worthy of your attention. Buy them, borrow them above all read them and in so doing you’ll be elevating women’s voices and female perspectives in a whole range of disciplines and on a whole host of topics.”

The executive director of the Women’s Prize Trust is Claire Shanahan, and Anna Rafferty is chair of the board. Kate Mosse is the founding director of both this prize and the Women’s Prize for Fiction.


More from Publishing Perspectives on international book and publishing awards programs is here. More from us on the Women’s Prize for Fiction is here, more on the United Kingdom’s book and publishing market is here, and more on nonfiction is here.

About the Author

Porter Anderson

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Porter Anderson has been named International Trade Press Journalist of the Year in London Book Fair’s International Excellence Awards. He is Editor-in-Chief of Publishing Perspectives. He formerly was Associate Editor for The FutureBook at London’s The Bookseller. Anderson was for more than a decade a senior producer and anchor with CNN.com, CNN International, and CNN USA. As an arts critic (Fellow, National Critics Institute), he was with The Village Voice, the Dallas Times Herald, and the Tampa Tribune, now the Tampa Bay Times. He co-founded The Hot Sheet, a newsletter for authors, which now is owned and operated by Jane Friedman.



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